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June 19, 2025

Sound im Raum – Klang als unsichtbarer Erfahrungsarchitekt

[Talk in German]

At gewerk in the garden #6, we reveal how Kling Klang Klong uses sound not as a background layer, but as a leading architect of space. Through select exhibition and large-scale installation examples, discover how multichannel, interactive, and modular soundscapes turn spaces into stories—guiding perception and stirring emotion.


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February 24, 2025

From 11 April to 11 May 2025, an abandoned Berlin hotel hosts immersive light and sound installations by 15 international artists. We’re proud to be part of this unique art experience before the building’s demolition. Explore ten floors of hidden stories, Wednesday–Sunday. Don’t miss your last chance to wander these silent, mysterious halls!

THE DARK ROOMS HOTEL

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PHOTO by Jasmina_Tomic / TED

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October 17, 2024

For the 40th anniversary of TED, we were invited to give a performative talk on stage amongst a few of the most brilliant minds speaking about the dazzling cutting-edge technology to boundless creativity.

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October 15, 2024

We had the pleasure of attending BRIGHT FESTIVAL Connect 2024. As almost the sole contributors from the audio sector, we shared our unique perspective on how sound creates powerful mental images and deeply influences emotions, allowing us to step into believable worlds that heighten immersion. Excited to see where the future of immersive media takes us!

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June 30, 2024

On June 21st we spoke at the @tedxberlin Salon's "Music is Unstoppable" Conference. We gave insights to the symphonies of our world and how sonification, through the origins of data-driven music, can fuel creative exploration and sound art. Watch the talk

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June 12, 2024

During CreativeDays at ADC Switzerland, we provide insight into the fascinating world of acoustic scenography. Let us take you on a musical journey through the tense fields of science, technology, art, and music.

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May 21, 2024

This time next week, we will have a talk to immerse you into spatial audio at Music Tech Germany in Berlin, Forum Factory. Our talk will introduce you to some of our work, where we showcase how the future of audio can develop in future.

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February 8, 2024

KLING KLANG KLONG at the 40th TED Conferences in Vancouver! This April, we will share the stage with a few of the most brilliant minds speaking about the dazzling cutting-edge technology to boundless creativity.

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January 9, 2024

Watch our latest talk at KIKK Festival 2023 about the principle behind our work:
RESONANCE. Exploring the transformative power of sound.

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December 21, 2023

After the successful exhibition series "Himmel unter Berlin", the creators present the next extraordinary series Dark Rooms Vertical. You can find more information and buy tickets here: thedarkrooms.de/en

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July 31, 2023

5th birthday to one of our favourite projects, MEANDERING RIVER. Time flies! It has been exhibited over 25 times across the world. It was also our first piece dealing with AI generated music, its crazy to see how much the field progressed in those 5 years...Watch the video

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July 12, 2023

We are really happy to announce that we are presenting a multi-channel sound installation at Schemerlicht Festival. The installation is bringing the hidden world of soil to our level, as magnifing glass to life under our feet, and our role as humans to conserve it!

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Photo by Müller Mulinarius

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June 20, 2023

Last chance to see EVENT HORIZON, at least for a while! The wonderful Himmel unter Berlin is coming to an end tomorrow, we wish you a great last stroll in the dark tunnels!

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RESONANCE

An audience sits around a light sculpture

RESONANCE

Here you'll find our biannual news about recent projects, upcoming exhibits and events.
PLAY VIDEO
Gefühlsrauschen
Interactive Installation

GEFÜHLSRAUSCHEN, a collaboration between Studio TISH (Yves Peitzner) and KLING KLANG KLONG, is an interactive installation that transforms neural activity into a shared experience of sound and light. Using EEG sensors, the system interprets brainwave patterns associated with emotional states and translates them in real time into a continuously evolving musical composition and responsive lighting.

Up to three visitors sit in a circular setting, each connected to a sensor system that detects their neural activity. These signals are mapped to musical motifs distributed across three instruments: piano, bass, and strings. Emotional states such as joy may generate bright, lyrical phrases; melancholy leads to sparse and fragile textures; discomfort introduces low, tense, dissonant layers. As the neural patterns shift and converge, the composition reshapes itself — not into one dominant mood, but into a complex, collective emotional expression.

What unfolds is a living musical dialogue that evolves with the presence, perception, and emotional interplay of those within it.

EXCERPT 1

EXCERPT 2

The piece premiered at the opening of Nürnberg Digital Festival NUEDIGITAL 2025

A work in collaboration with Yves Peitzner
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The sound of Austria
Expo Austria
Sound Scenogrpahy

Since spring 2025, the Austrian Pavilion at Expo in Osaka has welcomed international visitors into a multisensory experience shaped by architecture, narrative – and sound.

For Composing the Future, KLING KLANG KLONG created an immersive sound scenography that guides visitors on a musical journey from Austria’s classical heritage to contemporary innovation. The spatial sound layers move fluidly with the exhibition, shaping atmosphere, dramaturgy, and emotion.

A glimpse of this experience is now available online:

Explore the Virtual Tour

PLAY VIDEO
The Heards
Photography by Jean-Baptise Joire
Sound Art

In collaboration with Miiqo Studios, we developed Sounds of the Unseen—our artistic contribution to THE HERDS, a public art project that traces a 20,000 km journey from the Congo Basin to the Arctic Circle.

To accompany this epic migration, we created a generative soundscape that draws on over 6.5 billion animal movement data points, provided by Movebank and the Max Planck Institute of Animal Behavior. Shaped by real-time weather and local ecology, the soundscape evolves continuously. It gives voice to endangered and extinct species, creating a sonic memory of biodiversity on the move.

Impressions from the route of THE HERDS

It’s more than an ambient score—it’s a living composition, a data-driven requiem, and an invitation to tune in to the more-than-human world.

Special thanks to the Max Planck Institute of Animal Behavior for granting access to this remarkable dataset.

LISTEN LIVE

HOW IT WORKS

SOUNDS OF THE UNSEEN is guided by real movement data from animals on epic journeys—birds crossing continents, whales navigating oceans, land mammals roaming vast terrains. But instead of tracking individuals, we hear ecosystems in motion. Each sonic layer tells part of the story:

A deep, continuous drone forms the foundation—like the Earth’s heartbeat. Hovering above, lighter tones react to incoming data. Every time an animal sends a GPS signal, it gently nudges the harmony, shifting mood, pitch, and texture. What you hear is shaped by how, where, and when these species move.

The data comes from Movebank and the Max Planck Institute of Animal Behavior: over 6.5 billion data points, collected over an entire year. We compress that year into a three-day sonic journey, where seasons change in fast-forward. After those three days, the soundscape begins to respond in real time, always evolving, never looping—alive and aware.

As the composition travels along an imagined route from the Congo Basin to the Arctic Circle, it adapts. Animals moving over tropical forests sound different than those passing through tundra. The system listens to what’s happening along this virtual path and reshapes the sound accordingly—reflecting changes in species, speed, direction, and even local weather. You might hear wind rising, distant rain, or sudden stillness.

.Behind the scenes, a custom-built engine translates raw movement data into musical gestures. It doesn’t write melodies—it listens, responds, and generates texture. Like the animals it follows, the soundscape is not fixed. It’s responsive, ephemeral, and deeply connected to the living rhythms of the planet.

This is not just a soundtrack. It’s a sonic memory of movement—a requiem for vanishing patterns, and an invitation to tune in to the more-than-human world.‍‍



PHOTO CREDITS

1) Kinshasa - Congo Basin (c) Berclaire for The Walk Productions // 2) Manchester City Centre (c) David Levene // 3) Medina. Marrakesh, Morocco. (c) Oussama Oulhiq // 4) HM King Charles meets THE HERDS at Lancaster House (c) Jaber Ahmed (DEFRA) // 5) Makoko River, Lagos. Photograph by Kashope Faje, for 88 Life Studios // 6) Venice, Italy. Photography by Andrea Avezzù. Courtesy of La Biennale di Venezia // 7) Paris, France. Photography by David Levene

PLAY VIDEO
Mentorship at the Lost Art Festival
CX COLLECTIVE
Academic Mentorship

This year at the Lost Art Festival in Berlin, the CX Collective premieres its first collaborative work: CHAMAECHORIE – an immersive installation featuring artificial tumbleweeds, laser-defined borders, and shifting air currents. The piece explores the delicate tension between movement and restriction, drawing poetic connections between natural forces and human-made boundaries.

The CX Collective was formed by five students from Film University Babelsberg KONRAD WOLF through the interdisciplinary course “CX Project,” hosted by the university’s Creative Exchange Studio. Throughout the process, KLING KLANG KLONG supported the team with conceptual and technical mentorship – helping shape the experience from early sketches to immersive execution.

Our involvement is part of our ongoing commitment to supporting emerging artists through academic collaborations – as we do, for example, with students from HDM.

We’re proud to accompany new voices on their creative journeys and look forward to seeing Chamaechorie come to life at Lost Art.

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Austria at Expo 2025 Osaka
Visualisation bwm Architekten
Sound Scenography

In Japan, Austria is celebrated as the land of music. The Austria Pavilion at Expo 2025 in Osaka, titled “Composing the Future,” uses the unifying theme of music to collaboratively create a fascinating future composition with its guests.

The pavilion presents ideas and concepts that contribute to responsible and sustainable future development, demonstrating Austria’s commitment to shaping the future of humanity through the interplay of nature, tradition, and innovation. This commitment is artistically expressed through a musical journey* that intertwines Austria’s rich cultural heritage with its vision for a sustainable future, using music as a bridge between tradition and innovation.

Visitors embark on a musical journey that begins with the elegance of Viennese classical music and progresses to the modern musical era. This evolving musical soundscape reflects Austria’s legacy in an immersive auditory environment, aiming to engage visitors deeply on a personal level and inspire enthusiasm for a future where tradition and innovation coexist harmoniously.

We are especially proud to be responsible for the sound scenography, as sound plays a central role in creating the pavilion’s immersive experience, working in harmony with the scenography designed by our partner facts and fiction.

*The music is composed in collaboration with the Mozarteum University Salzburg // OUR ROLE Sound Scenography, Musical Direction // CLIENT Federal Ministry for Labour and Economy, Austrian Federal Economic Chamber, EXPO Office Austrian Federal Economic Chamber (Alf Netek, Helmut Döller) // GENERAL PLANNER BWM Designers & Architects // ARCHITECTURAL DESIGN & CONCEPT DEVELOPMENT OF THE GENERAL THEME BWM Designers & Architects // EXHIBITION DESIGN & CONCEPT BWM Designers & Architects in collaboration with facts and fiction // SCENOGRAPHY facts and fiction // PRODUCTION (Sanding) Graf-Holztechnik // STRUCTURAL ENGINEERING Werkraum Ingenieure ZT GmbH // MEP PLANNING Energytech G.m.b.H. // BUILDING PHYSICS K2 Bauphysik GmbH // LANDSCAPE DESIGN PAISAGISTA Landschaftsplanung // PROJECT MANAGEMENT Werner Consult Ziviltechnikergmbh // GENERAL CONTRACTOR Nüssli Gruppe // MUSIC Mozarteum
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A sonic journey through the universe
Photo by Jasmina Tomic / TED
Performative Talk


Experience how field recordings, data-driven music, and human creativity converge to create immersive soundscapes that evoke profound emotional connections. Let yourself be guided through realms where ones and zeroes mix with notes and rhythms, where the natural world sings its stories, and where the human imagination knows no bounds.

PLAY VIDEO
The Role of Sound in Immersive Design
Editorial

An invitation to explore the depths of experience through sound.

Have you ever been so captivated by a piece of music that everything else seems to fade away?

Perhaps it’s the melody that transports you to another time or the rhythm that stirs emotions you can’t quite explain. We’ve all experienced moments where sound doesn’t just fill the background—it becomes the experience itself. These instances highlight the true power of immersion, where we are fully absorbed and emotionally connected.

But what does immersion truly mean? The term originates from the Latin word immersio, meaning “to submerge.” Historically, it symbolized a deep dive into an experience to grasp its profound meaning. Over time, the concept has evolved, and today, “immersion” is a buzzword used in various contexts, sometimes lacking precision. To fully appreciate its impact—especially in the realm of sound—we must revisit and understand the essence of immersion.

Sound naturally surrounds us, creating immersive experiences often without our conscious realization. Unlike visual stimuli confined to our line of sight, sound envelops us from all directions simultaneously. This omnipresence allows sound to engage our emotions and draw us into experiences deeply.

To illustrate how sound achieves such profound immersion, let’s consider two distinct projects: the Austria Pavilion at Expo 2025 in Osaka and the MINESET Museum in Limburg. Each employs sound uniquely to immerse visitors, exemplifying different facets of auditory immersion—one through (abstract) music, the other through concrete, hyperrealistic soundscapes and sequential storytelling.

Immersion Through Abstract Musical Narratives

The Austria Pavilion, themed “Composing the Future,” offers an immersive journey guiding visitors from Austria’s classical music heritage to modern innovations. Immersion is achieved by transforming visitors from passive listeners into active participants in a captivating musical narrative.

Innenansicht Pavillon
Visualisation: facts and fiction

Visitors begin in a concert-like setting where a self-playing grand piano performs a newly composed piece in the Viennese classical style. The authentic piano sound, enriched by orchestral accompaniment, establishes an emotionally resonant atmosphere and introduces motifs that flow through the exhibition.

The journey culminates in a space with a futuristic instrument where up to four visitors can remix the earlier motifs with contemporary electronic sounds. This interactive experience transforms them into co-creators, fostering a deeper personal connection to the music and the narrative.

By progressing from passive listeners in a realistic concert setting to active co-creators in an innovative environment, the Austria Pavilion immerses visitors through the seamless integration of sound and physical space. It demonstrates how the combination of musical performance and setting can evoke emotions and involve visitors directly in the narrative, enhancing immersion through deeper personal engagement.

Hyperrealism and Sequential Storytelling

In contrast, the MINESET Museum employs sound to create a concrete and narratively immersive experience rooted in Limburg’s mining heritage. Immersion is achieved through hyperrealistic soundscapes aligned with a story that unfolds as visitors move through the space.

Visitors traverse a 1.7 km path where each room features soundscapes that recreate the ambiance of an operational mine. Authentic sounds—machinery, dripping water, or a radio—combine with the museum’s physical environment to immerse visitors in the mining setting. Spaces like the director’s office, the showers, and operational areas feature unique soundscapes, each offering a distinct perspective on an unfolding incident in the mine tunnel.

The sound narrative is not static but develops over time, with each room presenting a different part of the same evolving story. As visitors move through the museum, they encounter the incident’s progression from normal operations to an emergency, experiencing it through the distinct lens of each space. The soundscapes shift accordingly—starting with routine noises, moving to tense silences, and culminating in the chaos of alarms, frantic phone calls, and emergency responses. This temporal progression mirrors the dynamics of the incident, with each environment reacting to it in real time.

By aligning the auditory experience with their physical movement through the space, the museum engages visitors on a sensory and emotional level. They aren’t just hearing about the incident; they’re experiencing it as it happens. The combination of realistic sounds and the tangible environment makes visitors feel as though they are part of the unfolding story, enhancing immersion through direct engagement with both sound and setting.

Immersion Requires a Paradigm Shift

To truly embrace immersion—in its most authentic sense—we must shift our perspective on content creation. It’s not just about adding more visuals or using the latest technology; it’s about rethinking how we engage the senses to create a complete and profound experience.

Just as the Austria Pavilion and the MINESET Museum prioritize sound as a central element of their immersive strategies, we need to recognize sound not merely as a supplement to visuals but as a central pillar of immersive experiences. This requires moving beyond traditional approaches that often prioritize visual elements, embracing instead a sensory-centric methodology that fully leverages the power of sound.

PLAY VIDEO
Puls
Photo by Matthias aka Mulinarius
Sound & Light Installation

We are excited to present PULS, a sound and light installation that artistically explores human mobility within the city. Premiered during the Festival of Lights in 2024, PULS encapsulated a day in urban life—from morning to night. Suspended beneath the steel viaduct of the historic Siemensbahn in Berlin, the 15-meter-long installation juxtaposes the historic railway structure with its modern artistic expression.

At its core, PULS features a complex polyrhythmic sequencing machine whose patterns echo the dynamic movements of people. The installation comprises 80 LED tubes that echo the viaduct’s original blue hue, establishing a visual connection with the surrounding architecture. Complemented by a multi-channel sound system, PULS offers an acoustic journey inspired by soundscapes of trains. The sound design interprets the daily cycle of urban mobility, including morning, rush hour, midday, blue hour, and night, providing a layered auditory experience.

VIDEO CAMERA Frank Sauer // The installation was made possible through the cooperation of Deutsche Bahn, the Berlin-Brandenburg Transport Association (VBB), and the states of Berlin and Brandenburg.
PLAY VIDEO
Doki Doki – The Luxembourg Heartbeat
Sound Scenography

At Expo 2025 in Osaka, the Luxembourg Pavilion invites you to experience “Doki Doki – The Luxembourg Heartbeat.” Inspired by doki doki—the Japanese expression for a heart beating with excitement and curiosity—our studio is designing the sound scenography to enhance the ambiance of Luxembourg’s story told in three acts. Our musical score connects each act with an underlying tune, yet creates a unique atmosphere in each space. This way, visitors are consistently immersed in the Luxembourg Heartbeat, fully engaging in the experience.

The musical score, developed by Luxembourgish composer Claude Zeimes, in close collaboration with the Team of the Luxembourg Pavilion (GIE), together with jangled nerves and us, connects each act with an underlying tune, yet creates a unique atmosphere in each space. This way, visitors are consistently immersed in the Luxembourg Heartbeat, fully engaging in the experience.

PLAY VIDEO
Immerse in History
Jpetersen, CC BY-SA 2.0
Sound Scenography

We are thrilled to announce that we are providing the sound scenography for the upcoming permanent exhibition at Haus der Geschichte Bonn (House of the History). Building on our successful collaboration*, we are proud to contribute a holistic approach to the new permanent exhibition, creating a rich and engaging exploration of Germany’s contemporary history.

After 30 years and over 14 million visitors, the previous exhibition “Our History: Germany since 1945” has closed. The grand opening of the new exhibit is scheduled for December 2025. The new exhibition will offer an emotionally engaging and media-rich experience, showcasing German contemporary history with innovative displays and captivating objects.

*Since September 17, 2024, the temporary exhibition “After Hitler: The German Confrontation with National Socialism” explores how different generations engage with this crucial chapter of history.

PLAY VIDEO
Rhythm of the Mine
Sound Scenography

The MINESET Museum in Limburg revitalizes the region’s mining heritage by transforming the former mining complex into an immersive, multi-sensory experience. Spanning a 1.7 km footpath through the industrial buildings, visitors step into the moment right after the mine closed in 1989 and experience the emotional world of the miners.

Central to this journey are hyperrealistic soundscapes, which evoke the atmosphere of the moment immediately after the mine’s closure. Visitors hear the humming of machines, a radio playing, and water dripping in the showers—sounds that linger long after the miners have left the site. These soundscapes create a deep sensory connection to the past, making history feel immediate and real. This auditory experience is complemented by audio-visual art installations, which offer abstract depictions of the miners’ emotional world. This way, the tangible sounds are bridged with the intangible emotions of the miners.

Together, the hyperrealistic soundscapes and art installations are synchronized with a dramaturgy, orchestrating a cohesive and immersive sonic narrative that guides visitors through the miners’ world. As visitors move through the museum, the synchronized sonic narrative unfolds an incident in the mine tunnel, with soundscapes dynamically shifting to reflect events. This orchestrated narrative deepens visitors’ emotional and sensory connection to the exhibit, creating a unified and engaging journey through Limburg’s mining heritage.

PLAY VIDEO
From Vancouver to Berlin
Talk

Talking at TED

We’re pleased to share our talk from TEDxBerlin, where we participated in the event themed “Music Is Unstoppable.” Our talk, titled “Symphony of our World,” dives into our specific projects, focusing on emotive sonification to give an emotional perspective on the meaning of data and tell compelling stories. Following our performance at the 40th anniversary of TEDTalk in Vancouver, we were invited to bring our insights to Berlin. While the video from our Vancouver performance will be published at the end of summer, we hope you enjoy this presentation from Berlin.

PLAY VIDEO
Stories Of Animal Migration
Sound Scenography

Myriad. Where we connect.

Enjoy the trailer to the exhibition of this cross-media installation that tells the stories of animal migrations and their challenges in the Anthropocene era.

The installation is divided into four chapters, each narrating the tale of different animals species residing in Water, Air, and Land, and the profound impact of the Anthropocene on their lives. With each chapter the soundscape undergoes a transformation, adapting its characteristics to reflect the element being portrayed.

MYRIAD is a project by the Interactive Media Foundation and Filmtank in co-creation with Miiqo Studios, Context Film and Artificial Rome. The installation MYRIAD. Where we connect. was produced with the support of the Frankfurter Kunstverein for the exhibition.
PLAY VIDEO
Hydrosfeer
Sound Design

Designing a Weather Machine

HYDROSFEER is an immersive sound and kinetic installation that captures the dynamic energy and unpredictability of a thunderstorm, unfolding in three distinct stages: the building phase, the mature phase, and the dissipating phase. This piece explores the natural progression of a storm, simulating its lifecycle within a controlled environment.

At the heart of HYDROSFEER is a sophisticated sound engine, we meticulously designed for the artist Boris Acket. The engine utilizes white noise as its primary sound source to recreate the intricate sounds associated with each phase of a thunderstorm. This auditory experience is further enhanced by a kinetic sculpture, which introduces a compelling visual element to the installation. The sculpture, composed of semi-transparent fabric, is manipulated by software-controlled winches to create wave-like patterns that mirror the turbulence and fluidity of a storm.

The system is intentionally configured to be beyond the artist’s control, ensuring that each storm passing through the space is a unique and unpredictable event. The interaction between the soundscape and the kinetic sculpture immerses the audience in the visceral sensation of a storm, blending auditory and visual elements to convey the raw power of nature.

HYDROSFEER was prominently featured at Dark Rooms Berlin, hosted at the iconic Kühlhaus Berlin. This exhibition provided an ideal setting for the work, allowing audiences to experience the unpredictable beauty of a thunderstorm within an urban environment.

OUR ROLE Sound, Sound Engine // CREATIVE DIRECTION Boris Acket // CREATIVE CODING Corey Schneider // CAMERA Frank Sauer // YEAER 2024
PLAY VIDEO
Ever Cried Over a Data Chart?
Editorial

Unlock the Symphony of Information

Imagine listening to the subtle shifts in whale song as an indication of changing ocean temperatures. As the melodies rise and fall, you intuitively grasp the warming trends of the sea, feeling the urgency and impact in a way a graph could never convey. This is the magic of sonification—transforming cold, hard data into an immersive auditory experience that makes complex information both comprehensible and emotionally resonant. By making complex datasets audible, sonification imbues data with emotional meaning, allowing listeners to connect with the information on a deeper level.

Sonification's ability to turn data into meaningful soundscapes can be applied in various contexts, from scientific research to public awareness campaigns. This dual potential—analytical and emotional—highlights the versatility and impact of sonification.

TUNING INTO DATA.

Sonification aids scientific analysis by providing an additional sensory modality for researchers, helping to identify patterns and trends that might otherwise go unnoticed. For instance, in seismology, researchers use sonification to detect earthquake tremors by converting seismic data into sound, allowing for quicker pattern recognition (source, source). This form of analytical sonification enhances data interpretation and allows scientists to make critical observations efficiently. While AI and neural networks can now detect patterns in large datasets, making this type of analytical sonification less critical, the communicative power of sonification remains unmatched in evoking emotional responses.

In contrast, emotional sonification seeks to create a personal connection with the data, making abstract information feel immediate and real.

A compelling example is NASA's sonification of astronomical data. By translating data from black holes and galaxies into sound, NASA has created experiences that allow us to "hear" the universe. As Sarah Kane explained at the January 2023 meeting of the American Astronomical Society, “Astronomy is a leading field in sonification, but there’s no reason that work couldn’t be generalized” (source). These auditory representations help both scientists and the public better understand cosmic phenomena while also evoking a sense of wonder and awe (source, source). However, while NASA’s sonifications are designed to communicate scientific data accurately and engagingly, they can be further expanded artistically to explore deeper emotional responses.

MUSICAL TECHNIQUES IN SONIFICATION

The “For Seasons” project exemplifies how sonification can transcend traditional scientific communication by transforming data into musical compositions that deeply resonate with audiences on an emotional level. Numerous data visualizations have been created to highlight the urgency of climate change action. Yet, despite their creative and beautifully designed charts and graphs, they rely on visual interpretation and still require an analytical thought process. In contrast, music directly engages our emotions without the need for an additional cognitive step. In the “For Seasons” project, temperature anomalies were translated into variations in harmonic shifts that could be immediately felt. Additionally, the decline in bird and insect populations was represented with fewer notes in the musical motifs, making the data both audible and emotionally impactful. This approach demonstrates how sonification can be used to communicate messages and abstract information by weaving data into the experience and its dramaturgy, creating a richer and more engaging atmosphere.

Sonification can transform data into immersive auditory experiences through various creative techniques. Parameter mapping sonification is a sophisticated method that uses algorithms to generate complex soundscapes reflecting data nuances. This technique was employed in the “For Seasons” project, where temperature anomalies, among other parameters, were translated into variations in harmonic shifts, making the data both audible and emotionally resonant.

COMMUNICATING THROUGH SOUND

Sonification elicits emotional responses, which gives it significant potential in communicating complex topics effectively and reaching a wider audience. By turning abstract theoretical concepts into tangible auditory experiences, sonification can make difficult information more accessible and engaging.

Public awareness campaigns can use sonification to highlight pressing issues, making them more immediate and compelling to the public. By turning numbers into sounds, sonification offers a sensory experience that is both intuitive and emotionally engaging. As the field evolves, it holds the promise of transforming how we understand and interact with data, offering new ways to tell stories, raise awareness, and inspire action.

In educational settings, sonification can turn abstract equations into engaging auditory experiences, helping students grasp difficult concepts (source). By making complex scientific concepts more accessible, sonification not only educates but also inspires action and awareness.

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